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Born	Krishna Kondke 8 August 1932 Naigaum, near Lalbaug, Mumbai (Village-Ingavali, Tal-Bhor, Pune)
Died	14 March 1998 (aged 65)
Other names	Dada
Occupation	Actor, director, lyricist, writer
Years active	1969–1997
Spouse(s)	(m. 1960⁠–⁠1967)

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Krishna 'Dada' Kondke (8 August 1932 – 14 March 1998) was an Indian actor and film producer. He was one of the most renowned personalities in Marathi film industry, famous for his double entendre dialogues in movies.

Kondke was born into a family owning a grocery shop and owners of chawls in Morbaug area of Mumbai which were let out. His family members were also foreman handling millworkers of Bombay Dyeing.^[1] Dada Kondke was entered in the Guinness Book of World Records for the highest number of films (nine) that achieved silver jubilee (running for 25 consecutive weeks).^[2] Kondke was called 'Dada', an honorific Marathi term meaning 'elder brother', which led to his popular name Dada Kondke. He was credited with introducing the genre of sex comedy to Marathi cinema and Indian cinema.^[3]

Early life[edit]

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Kondke was a born to and raised in a family of cotton-mill workers in a chawl in Naigaon, near Lalbaug, Mumbai. His family originally hailed from the village of Ingavali which was in the erstwhile Bhor State near Pune. Kondke and his migrant family retained close connections to their rural roots.As a youngster, Kondke was a rough kid who later on took up job in a local grocery retail chain called Apna Bazaar. He lost most of his immediate family to unfortunate events and the grieving process changed him profoundly. These events made him focus more on the lighter side of life and make people laugh. Kondke started his entertainment career with a band and then worked as a stage actor. While working for the drama companies, Kondke toured throughout Maharashtra which helped him understand the local population's taste in entertainment.

Career[edit]

Stage career[edit]

Kondke was involved in cultural activities of Seva Dal, a Congress party volunteers organization, where he started working in dramas. During this period came in contact with various Marathi stage personalities including writer, Vasant Sabnis. Later, Kondke started his own theatre company, and approached Sabnis to compose a drama script for him. Sabnis appreciated Dada's performance in Khankhanpurcha Raja (literal translation, bankrupt king), and agreed to write a modern Marathi language Tamasha or loknatya (folk play) (Loknatya). The drama was named Vichha Majhi Puri Kara (literal translation, fulfill my wish). The drama went on to play over 1500 shows all over Maharashtra and made Dada a star.

Film career[edit]

Vichha Majhi Puri Kara brought Kondke into spotlight and in 1969, he debuted in Marathi movies through a role in Bhalji Pendharkar's movie Tambdi Maati which won the National Film Award for Best Feature Film in Marathi. He then turned producer with Songadya in 1971.^[4]Songadya was based on a story written by Vasant Sabnis, and was directed by Govind Kulkarni. He cast himself as Namya, the simpleton who falls for the glamour of Kalavati (played by Usha Chavan) who is a dancer. Some of the other people who played major characters in this movie were Nilu Phule, Ganpat Patil, Sampat Nikam and Ratnamala. Kondke retained his team from Songadya and delivered his next hit Eakta Jeev Sadashiv.^[5] Kondke's story-lines were always based on the simpleton engaged in lower level occupations. For example, Kondke portrayed himself as a Dhobi (Laundry Man) in Aali Angavar, Poor Farmer in Songadya, and a Police Constable in Pandu Havaldar. Kondke is known for using the same team of actors, technicians and playback singers to repeat the formula for success that he believed he had got from his debut film. Many of his movies, produced under the 'Kamakshi Pictures' banner, had Usha Chavan as the lead actress, Rajesh Mujumdar as screen play writer (from Pandu Hawaldar onward), Raam Laxman as music director, Jayawant Kulkarni and later Mahendra Kapoor as the male playback singer, Usha Mangeshkar as the female playback singer, and Bal Mohite as the chief assistant. Kondke often employed the veteran actor-dancer, Bhagwan Dada in dancing sequences in his films such as Aali Angavar, Hyoch Navra Pahije, Bot Lavin Tithe Gudgulya, and Ram Ram Gangaram.

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Filmography[edit]

Year	Film	Role	Language
1969	Tambdi Maati	Marathi
1981	Ganimi Kawa	Marathi
1971	Songadya	Namya	Marathi
1972	Ekta Jeev Sadashiv	Marathi
1973	Andhala Marto Dola	Marathi
1975	Pandu Hawaldar	Marathi
1976	Tumcha Amacha Jamala	Marathi
1977	Ram Ram Gangaram	Gangaram	Marathi
1977	Chandu Jamadar	Gujarati
1978	Bot Lavin Tithe Gudgudalya	Chhotu	Marathi
1980	Hyoch Navra Pahije	Gopi	Marathi
1984	Tere Mere Beech Mein	Gangaram	Hindi
1986	Andheri Raat Mein Diya Tere Haath Mein	Hindi
1982	Aalee Angawar	Marathi
1988	Mukaa Ghya Mukaa	Marathi
1988	Aage Ki Soch	Hindi
1989	Mala gheun chala	Ganpa	Marathi
1990	Palva Palvi	Shirpya(Sripati)	Marathi
1992	Yevu Kaa Gharaat	Marathi
1994	Saasarche Dhotar	Marathi
1995	Vajau Ka	Marathi
2000	Le Chal Apne Sang	Hindi	(dedicated to the memory of) produced by Sunita Kondke
1985	Khol De Meri Zuban	Hindi

Featured songs[edit]

As a lyricist he wrote multiple songs on animals

'Manasa paras medhara bari' (meaning 'goats are much better than

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